MOJISOLA
The plush chairs eased my weary back as I settled in, my gaze fixed on the screen, shutting out all distractions. Stories have always been my passion, so naturally, I found myself pondering how I would narrate this tale. “How would I tell this story”
The movie's opening moments immediately grabbed my attention. "Is this Nigeria?" I wondered aloud, the awe swelling within me like a held breath. I slowly released it, the beautiful taste of awe that had now built up like air in my lungs.
The turquoise water looked mesmerizing, each frame meticulously crafted to reveal director Kenneth's vision of his homeland. it was like a nerd displaying his collection of action figures, statues, or comic books, only that this time it was a display of his home. Though I'd never been to Jos, in that darkened theater, I felt transported there. And in that moment, I was in Jos. Through Kenneth's lens, we journeyed into a tranquil Nigerian village and met Mojisola. Without spoiling the plot, let me offer a brief glimpse into this story.
In this serene village, a young girl experiences the gentle caress of love for the first time, her heart blossoming like a flower in sunlight. But as joy envelops her world, the arrival of a bestselling pseudoscientist disrupts the peace, casting shadows over her once-idyllic existence.
I was thrilled to see Chioma Akpotha, whose transition from maiden to mother I found captivating. And Tony Umez's appearance on screen prompted an involuntary "Durling" from me.
While there were aspects of the movie I appreciated, I felt it lacked spiritual depth despite its thematic intentions. The attempt to blend science and spirituality felt restrained, avoiding clichés but missing an opportunity for more profound exploration. This isn't a film for those seeking quick thrills; it's a gradual journey through hills, valleys, and waters, demanding patience but offering a satisfying experience.
The lead actress, Mojisola, exudes charm, complementing her male counterpart well. However, his performance felt somewhat lacking, occasionally pulling me out of the immersive experience. Every time I felt like I was with them in Jos, he managed to remind me that I was watching a movie.
Beyond the visually stunning cinematography, the dialogue fell short, lacking depth and making characters seem shallow. The attempted poetry lacked substance. and the sound design left much to be desired. While my expectations weren't high, I believe Nollywood still has significant room for improvement in the aspect of sound.
Despite some plot holes and unanswered questions, the movie was worth the price of admission. Yes, it was worth my money, offering a satisfactory escape from reality. It's the kind of film you watch on a leisurely day, letting it occupy your mind and briefly whisking you away from life's worries.
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